(b. 1942, Bloemfontein, South Africa)




John Meyer studied at the Johannesburg Technical College School of Art before joining an advertising agency. In 1967, Meyer settled in London, where he carried on his studies in art while working as a freelance illustrator. 


Meyer is regarded as the leading figure in the realist movement in southern Africa. Decidedly contemporary in his unique vision and a proponent of modernism in all its guises, Meyer has a considered commitment to representational painting.  Concerned with the complexities of visual perception and their solutions, his paintings are not mere representations of existing places and things, but exist as indelible retrospection, like total recall.


Meyer describes his paintings as being 'made.' Each layer of tension or emotion is built up over a mental and physical process, creating a credible, charged and tangible event in each of his paintings. He presents us with strikingly real illusions, all distinctly familiar, yet ultimately invented. They are imagined archetypes rather than specific events. His most recent narrative genre, exploring the complex currents of human relationships, captivates his viewers. Few other artists inspire such commentary. Rarely are interpretations the same. Everyone has their own judgement and somehow the relationships continue to change with every inspection or even passing glance. There is fluidity, an evolving drama, a very real atmosphere. 

He later developed these into a series of separate but related views of the same reaction. These 'Sequential Narratives' explore the nature of intimacy between men and women. The series reflects his interest in compositional interaction rather than conventional realism and displays his traditional visual hallmark - a tight theatrical control of the painted surface. Meyer is a master of staging, plot and lighting and there is a quality to the paintwork that reinforces the themes of emotional ambiguity between the protagonists in the paintings.


More recently, Meyer completed a body of fifteen works set during the Anglo Boer War. His Lost in the Dust exhibition offered an intimate and compelling look at how war affects the lives of those swept up in it. The paintings are not historical, but a collection of completely fictitious, imaginative narratives, woven into a multi-layered realm that deals with the tragedy of war. They are at once compelling, delicate, emotional and foreboding. Meyer was inspired to embark on this challenging journey by his ancestors, who had fought on both sides, allowing him to reflect on it from a neutral position. Set against the dramatic and hauntingly beautiful backdrop of the vast South African interior, the collection combines Meyer’s talents for landscape and narrative in a unique body of works.


The entire collection, owned by one collector, was exhibited in Cape Town and Johannesburg in 2015. Thereafter it toured the United Kingdom, where it was shown in both London and Edinburgh at the Bonham’s Auction Houses.





‘One could say I'm obsessed with the magical properties of paint, with the process that allows for and unlocks the magic. It all depends on where you direct your energy. It's beyond me why any artist with talent would not want to pursue the mysterious world that lies within the possibilities of paint, the ultimate transformation of materials. Squeeze out a few lengths of pigment on a palette and transform them into the image of something. 

‘Because we’re not witness to the explorative process that is the private preserve of the artists creativity, we are not party to the experimental nuances and resulting struggle in the painting process, and that prevents us from completely understanding the artist's intent. How then are we to access this world of hidden complexities? If we accept that we see the world around us in various tones, shapes and patches of colour, rather than their defining contours, we realise that a single brushstroke can be anything it may suggest to us. The complex layering of painterly tones, placed in apparently random order, creates the stage for a personal search. Here we indulge in our need to escape from an increasingly intrusive world.'





Nelson Mandela Tribute, Everard Read, Johannesburg



Reality Check, Group exhibition, Everard Read, Cape Town

Winter Collection, Group exhibition, Everard Read, Cape Town



Lost in the Dust, Bonhams Auction House, Edinburgh, United Kingdom



Lost in the Dust, Everard Read,  Cape Town & Johannesburg, South Africa



My Country, Everard Read, Cape Town & Johannesburg ,South Africa



An Evening with John Meyer, Everard Read Cape Town, South Africa

New Work, OK Harris, New York, USA



John Meyer – Paintings,  O.K. Harris, New York, USA



Museum Schloss Gottorf, Germany
Involuntary Consequences, Albemarle Gallery, London, United Kingdom                       
Karoo Revisited, The Everard Read Gallery, Johannesburg, South Africa



Conduct and Expectations, Galerie Brusberg,  Berlin, Germany



Truths Revealed, Everard Read, Cape Town & Johannesburg , South Africa           
Distant Lives,  Albemarle Gallery, London, United Kingdom



New Work, Everard Read Gallery, Cape Town, South Africa



John Meyer, Everard Read Gallery,  Johannesburg, South Africa





Cape Town Art Fair, Everard Read Gallery Booth , Cape Town, South Africa
EMPIRE,  Everard Read, Cape Town, South Africa



Summer Season, Everard Read, Cape Town, South Africa



100, Everard Read, Cape Town, South Africa 



Winter Show, Everard Read, Cape Town, South Africa



Everard Read, Cape Town 15th Anniversary Exhibition, Cape Town, South Africa
Horse, curated by Ricky Burnett, Everard Read, Johannesburg, South Africa



View from the South, Everard Read, Cape Town, South Africa
Summer 10, Everard Read, Cape Town, South Africa



The City, Everard Read, Cape Town, South Africa
Summer 09, Everard Read, Cape Town, South Africa



Summer 08, Everard Read, , Cape Town, South Africa
Group Show, Everard Read Gallery, Johannesburg, South Africa





Contemporary Artist Award from the German Museum Schloss Gottorf , Germany.





Lost in the Dust / Verlore in Stof, Everard Read Gallery
John Meyer, A Retrospective 1972 - 2012, Everard Read Gallery
Art & Artists of South Africa, Esme Berman (AA Balkema) 
Painting in South Africa, Esme Berman (Southern Books) 

Artspeak, Robert Atkins (Abbeyville Press, New York) 
John Meyer, Brett Hilton-Barber (Prime Origins) 
John Meyer Sequential Narratives, Brett Hilton-Barber (Prime Origins) 


John Meyer in Retrospect (Everard Read Gallery 1983) 
Drawn From Nature (Stremmel Gallery 1990) 
Eiteljorg Invitational 2 (Exhibition 1991) 
John Meyer Recent Paintings (Everard Read Gallery 1991) 
John Meyer (Everard Read Gallery 1996) 
John Meyer Sequential Narratives (Everard Read Cape Town 2005) 
Distant Lives, John Meyer (Albemarle Gallery 2007) 
Truths Revealed, John Meyer (Everard Read 2007) 
Karoo Revisited, John Meyer (Everard Read 2009)