BLESSING NGOBENI: Study Song of Chicotte
Jan 18 – Feb 15, 2020
STUDY SONG OF CHICOTTE
18 January -15 February 2020
This new series of hand-coloured linocuts is based on Blessing Ngobeni’s 2016 exhibition at Everard Read’s CIRCA gallery, THE SONG OF THE CHICOTTE.
In the 2016 exhibition , Ngobeni used the chicotte (a French term for a whip used by colonialists in the 19th century) as a metaphor for slavery in general – not just historical slavery but slavery of the mind, the spirit – in the country, our relationships, ourselves. We brutalise ourselves and each other, perpetuate the patterns that we have inherited: the sins of the fathers are, more often than not, still being visited on their children. Instead of these old patterns, Ngobeni urges us towards a new vision of the world – one not ruled by the hyenas of old, who wear different guises and inflict the same punishments.
Four years later, Ngobeni has revisited that powerful series and reproduced the artworks from that seminal show in the medium of print. The linocuts offer a graphic reinterpretation of Ngobeni’s large, bold, and complex collages on canvas – rendering the familiar images in softer tones of blues, purples and greys. The linocuts offer an intimate conversation with the artist, a quiet moment to reflect on his past statements, future ambitions and immediate realities.
Blessing Ngobeni (b. 1985, Tzaneen, lives and works in Johannesburg, South Africa) is the recipient of the 2020 Standard Bank Young Artist Award for the Visual Arts. Since receiving the Reinhold Cassirer Award in 2011, he has attended residencies at the Headlands Centre for Art in San Francisco (2014), the Cleveland Foundation’s Creative Fusion Program (2016), as well as programs in New York and France. His work has received wide critical acclaim, and has been featured in solo exhibitions at Everard Read Johannesburg (2016, 2017, 2018), Everard Read Cape Town (2018), and Everard Read London (2018). His work has also been included in international art fairs such as Art X Lagos (2019), UNTITLED Miami Beach (2018), Expo Chicago (2017, 2018), AIPAD (2018), PULSE Miami Beach (2017), and Art Miami (2016, 2019).
Working predominantly on canvas, he uses collage and acrylic paint to create complex forms containing vast amounts of detail within. He has also produced steel sculpture and video work. His oeuvre demonstrates his investigation of politics, society and social media.